In Morris Park
For Tamar
already the knowing animals are aware
that we are not really at home in
our interpreted world.
—Rainer Maria Rilke
where the grid swerves off course and the numbered sequence
of streets stops making sense
we have to find each other before we find our way
into the wild blur of woods
beyond city’s smoothly paved edges
where signs are useless or we misread them
so trace instead creek’s silver ripples
upstream where water pools and flows
under a stone arch
washes white over boulders
steady pressure incising an ever-deepening groove
together we press fingertips to runic bark
tulip poplar so tall we strain
to see where crown meets sky
I point to pastel blur
cornflowers accented by bees’ dark dart
and dash to that radiant corner
a flick in the grass we glance down
catch squiggle of snake shedding
its outgrown skin
rush toward a scrawl of serpents
raveling on a rock in the sun
they flee the long shadow we cast
fear the obliterating darkness we carry
without intent
we do not mean to seek portent
for our lives in snake molt
or bird murmur or slick stones’ ellipses
that throw me off balance
crossing the creek
she leaps ahead offers a steadying hand
we do not mean to get tangled in netting
a fallen fence marking a boundary
we miss and end up at cliff’s edge
water ribbons below us
I can’t let my boys come here, she says
meaning this precipice
my own boy is lost, I confide
back to the tidy street we read now
with forest’s eyes
notice the faintest line scribbling
across sidewalk’s white expanse
a worm, too fine to save
our fingers would crush him
he must make his own way
Ann de Forest
Ann de Forest is a journalist, essayist, fiction writer, poet, and walking artist drawn to the resonance of places – whether her native California, her adopted hometown of Philadelphia, or farther afield in Italy and India. Her writing has appeared most recently in Hippocampus, One Art, and the Los Angeles Review of Books. She is the editor of the anthology, Ways of Walking (New Door Books, 2022).
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