Slipping with Female Surrealists

Victoria Spaulding

Slipping with Female Surrealists

Slip off your clothes. Just linger in a lunar
courtyard. An invitation to skin dip without a plunge.
Or cover your eyes. Fade into nocturnal oblivion

in Mexico as visceral tissue separates us
from Leonora’s dead. Once mad, her reality
in an asylum. She paints a cappella, a ghost's wail.

Likelihood principle: faintest Northern Lights reels
not a hallucination. Not captured on camera.
A presence moves like her white horse. Pulsating Earth

battle happens on the clear side of a mist otherworldly.
On the other side of a heathered mountain, a giant leaf
speaks. Clouds allow a sliver of blue to inferno through.

In an age where atrocities pass in real time. Overhead
roar of a jet fighter plane, inhospitable spaces
bird-headed while short-reel F-16 repels an attack.

Language is more than a trick to mimic its rise
& fall of pitch. You may intonate, catch golden eggs
in nonverbal gardens, but can you formulate a sentence?

Wyndham Lewis said Michelangelo was his bête noire.
Carrington’s spectral beings gather to sing,
their attrition chiseled marks are left in place.

Victoria Spaulding

Victoria Spaulding grew up in Oxnard, California. She was born Sanchez to Mexico immigrated parents. She has poems published by Tupelo Quarterly, Cathexis Northwest Press, and Devour.

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