Brutalism

Brian Johnson

Brutalism

I.
Two little pigs went to market. The better-looking one got slaughtered, the less desirable one went home. Ironic, of course, but brutal.
II.
A child fell into a pond while the grown-ups drank martinis. Brutal scene minutes later.
III.
The hysterectomy went badly and what the doctor said—well, it is unrepeatable. It was brutal.
IV.
All the living rooms have been painted gray. They are seen as beautiful; nobody suspects brutalism at work.
V.
At graduation, a son told his father that he had no plans. Of all the moments in their father-son relationship, this took the cake, brutalitywise. He seemed to want to cry, the father, I mean really weep.
VI.
When the girl said, "Just whistle," and she didn't appear when he whistled, or when he whistled again, or in the middle of the third whistle, we couldn't help but think it a brutal way to end the film.
VII.
Nothing is more brutal than an opera save a hunting party at night looking for you.
VIII.
A lost score is brutal. The hidden will is brutal. Things that were never delivered or delivered without warning are, historically, brutal things.
IX.
Snow is brutal in parking lots and in airports and in other lonely places where the snow falls.
X.
Hard to silence it, hard to supervise it—siren, fisher cat, a crowd yelling—, the brutal thought that comes in.

Brian Johnson

Brian Johnson is the author of Self-Portrait, a chapbook; Torch Lake and Other Poems, a finalist for the Norma Farber First Book Award; and Site Visits, a collaborative work with the German painter Burghard Müller-Dannhausen. His work has appeared in several anthologies and many literary journals, including Massachusetts Review, Bennington Review, West Branch, American Letters and Commentary, North Dakota Quarterly, Court Green, Interim, and The Prose Poem: An International Journal. The recipient of two Connecticut Commission on the Arts Fellowships, he teaches poetry, composition, and classical rhetoric at Southern Connecticut State University.

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